Hanna is leading the relationship so much so that when they fight regardless of who is right. It is surrounded by fields, rape or wheat or vines in the Palatinate, lavender in Provence. This is evident in Bernhard Schlink’s The Reader where fifteen-year-old Michael Berg is involved in a secretive intense and passionate relationship with thirty-six-year-old Hanna Schmitz. Yet this well-translated novel indisputably offers a philosophical look at the 'numbness' that settled over German culture during the war and that (Schlink seems to say) infects it to this day. Im afraid Ill be too late, and I drive faster.
Some readers may object to Schlink's insistently withheld moral judgments: he never treats Hanna as just a villain. Growing up in the 1950s in the aftermath of the war, Bernhard Schlink articulates the emotions he and others like him went through, at a time when Germany was.
#The book the reader by bernhard schlink trial#
Part Two opens at Hanna's trial 10 years later for war crimes: assigned by chance to observe the trial, Michael continues his strange role as her reader, sending her tapes in prison until, in Part Three, the two finally, and tragically, meet again. Hailed as one of the most intense and thought-provoking reads in modern time, The Reader is a brilliant commentary on the generation that came after WW2. His thank-you visit results in months of trysts the lovers develop a routine that involves Michael reading aloud from the German classics.
They meet in the 1950s, when he is 15: she rescues him when he falls ill in the street from the effects of hepatitis. What is else is the history of the law he. Publishers WeeklyAnother in the spate of soul-searching post-Holocaust German novels that have made their way here, this elegant if derivative triptych chronicles the relationship of narrator Michael Berg, a young bourgeois man who becomes a legal historian, with working-class Hanna Schmitz, 20 years his senior and (as it turns out) a former SS officer. Bernhard Schlink’s The Reader is sensual and philosophical, moving from the former, which predominates in the beginning, toward the latter in a manner both purposeful and purposeless, successful and futile, as Michael describes the journeys in the Odyssey. The Reader by Bernhard Schlink - book review, analysis and short summary.
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